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Why Collective Soul Wrote “Shine” Without Religious Intentions

Collective Soul released their debut single “Shine” on the album Hints Allegations and Things Left Unsaid in 1993. The immediate reaction had to do with the religious messaging of the…

Collective Soul in New York City in 2005
David Livingston/Getty Images

Collective Soul released their debut single “Shine” on the album Hints Allegations and Things Left Unsaid in 1993.

The immediate reaction had to do with the religious messaging of the song’s chorus and the allusion to an old children’s Bible song.

However, the assumption was oversimplified. 

Religious Messaging

Any kid who ever attended Christian Bible camp, Catholic school religion class, or Sunday school remembers the old tune. "This Little Light of Mine" is one of those classic children’s church songs right up there with “Mary Had a Little Lamb.”

This little light of mine
I’m going to let it shine
Let it shine, all the time, let it shine

The simple assumption of “Shine” as a reference to the timeless children’s song isn’t exactly farfetched. Similarities in the lyrics give a pretty easily-identifiable allusion.

Whoa, Heaven let your light shine down
I'm gonna let it shine
I'm gonna let it shine
Heaven's little light gonna shine on me

“Shine” debuted in the same era that Biggie Smalls released “If I Should Die Before I Wake” (with much more profanity). Plenty of previous rock songs also had religious meaning whether or not they mentioned prayer, gospel music, or any other objective Christian reference.

However, lead singer Ed Roland wanted to avoid the pigeon hole of Gospel or Christian genres. He's deliberately pointed out that Collective Soul is not a religious band.

"Shine" by Collective Soul 

Song lyrics can mean whatever listeners want them to mean. If the religious messaging resonated, there’s no reason to discount it.

It’s not like Roland wanted to completely throw out the idea either. He even confirmed that his life as the son of a Christian minister had influence on the song.

“I’m sure it did because I grew up in the church for the first 18 years of my life, in a small town in Georgia, so (I was) heavily influenced by spiritual meanings and spiritual words, I guess. I do believe in separation of church and rock ‘n’ roll, but at the same time, what you grow up reading and learning, you incorporate it,” he told Stereogum in 2018.

Whether he meant it or not, there is religious influence in “Shine.” Churches and other religious venues even play it in religious contexts now.

Give me a word
Give me a sign
Show me where to look
Tell me, what will I find?
What will I find?

Enjoy what is possibly the only combination of gospel and grunge you’ll ever find.


The only thing more exciting than finding out who gets into the Rock and Roll Hall of Fame every year is seeing who got shut out. In its over 30-year history, the Rock Hall has looked over a number of incredible and influential artists.

Which artists have still yet to get the nod from the Rock Hall? Scroll through our gallery below and see just 10 notable omissions. (And there are plenty more!)

Bad Company

GettyImages-535946132.jpgRick Diamond/Getty Images

Fronted by Paul Rodgers, easily one of the most-recognizable voices in rock history, you'd think Bad Company would've been inducted by now, but 20 years since they were first eligible for induction, they're still not in the Rock Hall.


The Runaways

GettyImages-97808498.jpgStephen Lovekin/Getty Images

When it comes to influential women in hard rock, The Runaways should always be part of the conversation. A launching pad for Joan Jett and Lita Ford, the band's four studio albums feature some quintessential '70s hard rock jams including "School Days," "I Love Playing with Fire" and, of course, "Cherry Bomb." Their 1977 live album 'Live in Japan' is incredibly underrated, too. For added measure, a Runaways induction would make Jett a double-inductee.


Jane's Addiction

GettyImages-89724550.jpgRoger Kisby/Getty Images

Jane's Addiction helped lay the groundwork for much of the 1990's alternative rock boom thanks to albums like 1988's 'Nothing's Shocking' and 1990's 'Ritual De Lo Habitual.'


Mary J. Blige

GettyImages-1168558842.jpgEthan Miller/Getty Images

The Queen of Hip Hop Soul became eligible for induction in 2018, but Blige has only been nominated once in 2021, despite providing an important female voice in a very male-dominated genre. She's sold 80 million albums worldwide thanks to the strength of her incredible voice and her ability to uniquely blend R&B and hip hop unlike any artist before or after her on tracks like "Real Love," "Not Gon' Cry," "Family Affair" and "Be Without You." While we're on the topic of genre-blending, Blige is the only artist in history to have won Grammys in R&B, hip hop, pop and gospel categories. If that's not worth considering for a Rock Hall nomination, what is?


Melissa Etheridge

GettyImages-974991628.jpgPaul Morigi/Getty Images

Not enough is really said about how Melissa Etheridge came out as a lesbian in January 1993 only to nine months later release 'Yes I Am,' the album that would be her major breakthrough into the mainstream featuring hits like "I'm the Only One" and "Come to My Window." Looking back, that's a mind-blowing feat during a time when coming out wasn't always welcome as it is today. Add to the fact that she's consistently put out quality albums for nearly 30 years, has an incredible, easily recognizable voice and writes music that blurs the lines of rock, pop and folk, it's almost shocking she's never even been nominated.


Cyndi Lauper

GettyImages-1158600785-e1571151337797.jpgNicholas Hunt/Getty Images

As we previously stated, Cyndi Lauper once asked "Where the women at?!" when it came to representation in the Rock Hall Museum. Well, where Cyndi at in the Rock Hall itself? She was finally nominated for the first time in 2023, but Lauper has been ridiculously influential to artists that have followed thanks to many hits like "Girls Just Want to Have Fun," "Time After Time," "She Bop," "Money Changes Everything," "True Colors" and "I Drove All Night." She's also continued to be a force live to this day. Oh, and she's also managed to dominate the Broadway world by writing the music and lyrics for the musical adaptation of 'Kinky Boots.'


Soundgarden

GettyImages-161836988.jpgKevin Winter/Getty Images

Soundgarden has been eligible for induction into the Rock Hall longer than most of their Seattle grunge contemporaries, and yet, they only received their first nomination for the 2020 class. Considering their influence on the generation of bands that followed them, it's a massive oversight.


Cher

GettyImages-1045022306.jpgScott Barbour/Getty Images

Okay, now for those about to cry foul on this pick, if Madonna is in the Rock Hall, Cher definitely deserves to be in. With a career that spans six decades, Cher has defied the odds, remains one of the most iconic pop stars of all time, and she's managed to do it with a style and attitude all her own. She's won just about every award imaginable, from Grammys to Oscars to Kennedy Center Honors. Fun fact: She also the only artist ever to have a number-one single on a Billboard chart in six consecutive decades. Those number ones include "I Got You Babe," "Gypsys, Tramps & Thieves," "Half-Breed," "Dark Lady," "After All," "If I Could Turn Back Time," "Believe," "Strong Enough," "Song for the Lonely," "A Different Kind of Love Song," "When the Money's Gone"/"Love One Another," "You Haven't Seen the Last of Me" and "Woman's World."


Iron Maiden

GettyImages-53634054.jpgKarl Walter/Getty Images

Iron Maiden's entire aesthetic, from their stage shows to their classic logo to their mascot, Eddie, is at least enough to get a nomination, but even that hasn't happened (yet) for the heavy metal icons.


Salt-N-Pepa

GettyImages-546302732.jpgMichael Loccisano/Getty Images

Let's talk about how much Salt-N-Pepa and DJ Spinderella deserve some recognition from the Rock Hall. With the Rock Hall expanding to recognize the hip hop world, they need look no further than this groundbreaking group of MCs that were not afraid to touch controversial topics in their lyrics and helped pave the way for countless women in hip hop. Decades later, many of their singles like "Push it," "Shoop," "Let's Talk About Sex," "Whatta Man" and "None of Your Business" still sound ridiculously fresh. 

Matt Cord is the host of the Matt Cord Show. He is a lover of all Philly Sports and has been the voice of the Sixers for 27 years and NBA2K for the past 4 years. As a cyclist enthusiast, Matt writes about his adventures all throughout the city.